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Dance A Charming Genius 9617

Strathspey · 32 bars · 4 couples · Longwise - 4   (Progression: 2341)

Devised by
Marie Boehmer
Intensity
8888/8888/8888/8888 = 100% (whole dance)
Formations
Steps
  • Strathspey setting, Strathspey travel
Published in
Recommended Music
Extra Info
It was not easy for Miss Jean C. Milligan of Glasgow, as a SCD teacher, to define steps. She was …

It was not easy for Miss Jean C. Milligan of Glasgow, as a SCD teacher, to define steps. She was met with howls of protest. Everyone was sure that his or her way was the only right and proper way and wouldn’t change. When she reintroduced the Poussette she provoked immediate criticism. A dancer of note voiced the feelings of the men, “Na, na, yer Grace, I dinna like this twa-handed Poussette. We’ve aye dune it gruppit.” He had a point there but had to yield to Miss Milligan when she showed them the authority of an old MSS of 1790, which described it in detail. She was also accused of inventing new steps when she reintroduced the Skip Change of Step. She rigidly adhered to this discipline with the tenacity of a Border Terrier, they say. “Try to interfere in a meeting that she is chairing and see how far you get,” was the word. These, of course, are necessary ingredients of genius.

“Name” column: normal = designated recording, greyed-out = designated but not official lead tune, italic = possible match found in DB (watch number of repeats!)

NameArtistAlbumMediaTrkTypeTimePaceClip
Black Potts The Craigellachie Band Reel Friends MC 10 S32 44:11 62.8
MacDonald of the Isles encore Alasdair Fraser & Muriel Johnstone Just As It Was 1 CD 11 S32 33:24 68.0
Strathspeys: Bandleader Choice Don Bartlett and the Scotians Memory Lane CD+ 9 S32 44:10 62.5
Strathspeys (Trad) Muriel A Johnstone 6 x Through the Dance CD 9 S32 66:50 68.3
A Charming Genius 4/4L · S32
1–
All Petronella turn | set ; repeat (1x,2x,3x,4x)
9–
1c+2c & 3c+4c Circle4 L ; all advance {1}, turn P BH ½ {1} | retire (1,2,3,4)
17–
Poussette. All finish in centre facing up NHJ (1,2,3,4)
25–
1c (+2c+3c+4c following) cast off to 4pl ; 1c turn P BH while{4} 2c (+3c+4c following) dance up from 3pl centre to top, looping to places (2,3,4,1)

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