Dance Bound and Gagged 9454
Reel · 32 bars · 3 couples · Longwise - 4 (Progression: 213) · Usual number of repetitions: 8
- Devised by
- John Drewry (1998)
- Intensity
- 844/888/822/822 = 50% (whole dance)
- Formations
-
- Hands across - 3 (HX;3P;)
- Reel of three - on side - half (REEL;HALF;R3;SIDE;)
- Reel of three - across - half (REEL;ACROSS;HALF;R3;)
- Corners Pass, half-turn and cast away (CPassHTurn&Twirl)
- Steps
-
- Skip-Change
- Published in
-
- The Greenburn Book 2 [2]
- The Welsh Set [3]
- Recommended Music
- Extra Info
- 'StateBlock' object has no attribute 'is_code_block'
Described as a "dance which is bound to leave you speechless."
'StateBlock' object has no attribute 'is_code_block'
Described as a "dance which is bound to leave you speechless."
Table rows with a green background denote recordings starting with one of the recommended tunes and the usual number of repetitions for the dance (8). A yellow background means a recording with one of the recommended tunes but a non-standard number of repetitions. Recordings with a red background use a different tune and possibly a non-standard number of repetitions.
Recordings whose titles are in
| Name | Artist | Album | Media | Trk | Type | Time | Pace | Clip | |
|---|---|---|---|---|---|---|---|---|---|
| The Reel of the 51st Division | Auld Reekie | More Capital Reels | CD+ | 17 | R32 8 | 0:00 | 0.0 | ||
| Reels | Dancing Strings of Scotland | Encore | CD+ | 8 | R32 8 | 4:17 | 32.1 |
Bound and Gagged 3/4L · R32
'StateBlock' object has no attribute 'is_code_block'
1-8 : 1s cross RH, cast 1 place & dance LH across (Lady with 2s & Man with 3s) 9-16 : 1s dance 1/2 reels of 3 on sides (giving RSh to 2nd corners to start) & 1/2 LSh reel of 3 across (Man with 3s at top & Lady with 2s) 17-24 : 1s turn LH to face 4th corner (pstn) & dance RSh round them **while** 4th corners change places with a 1/2 turn & 'twirl' 25-32 : 1s turn RH to face 1st corner (pstn) & dance RSh round them to end in 2nd places **while** 1st corners change places with a 1/2 turn & 'twirl'
