Dance Banjo Patterson 9288
Reel · 32 bars · 3 couples · Longwise - 4 (Progression: 213)
- Devised by
- Milton Levy (1991)
- Intensity
- 880/866/866/844 = 75% (1 turn), 56% (whole dance)
- Formations
-
- Slip (down or up) (ONEWAY;SLIP)
- Balance and Turn Corners (B&T;CRNRS;)
- Reel of three - on side - half (REEL;HALF;R3;SIDE;)
- Reel of three - across - half (REEL;ACROSS;HALF;R3;)
- Hands across - 4 - half (HX;4P;HALF;)
- Steps
-
- Pas-de-Basque, Skip-Change, Slip-Step
- Published in
- Recommended Music
| Name | Artist | Album | Media | Trk | Type | Time | Pace | Clip | |
|---|---|---|---|---|---|---|---|---|---|
| Banjo Paterson | Roy Hendrie & his Scottish Dance Band | The Tin Woodman | CD | 11 | R32 8 | 4:43 | 35.4 |
Banjo Patterson 3/4L · R32
- 1–
- 1c+2c set advancing | slip down ; cast round 3c to 2c in 1pl and 1c LHJ and RHJ to 1cnr for
- 9–
- 1c+1cnrs BiL | turn 1cnr RH ; ½ Reels3 on sides, Lsh to 2cnr, 1c ends on 1diag RHJ and LHJ to 1cnrs (2cnr persons)
- 17–
- BiL | turn cnr LH ; ½ Reels3 across, Rsh to 4cnr (to 3x,1,2x)
- 25–
- 1c+person on L (1cnr person) set facing other pair diagonally | ½ RHA ; 1c+person on R (4cnr person) set | ½ LHA (2,1,3)
Banjo Patterson 3/4L · R32
- 1-8
- 1s+2s set advancing, 1s+2s NHJ slip step down below 3s, 2s followed by 1s cast up, 2s into 1st place, 1s into middle giving RH to 1st corner & LH to partner
- 9-16
- 1s+1st corners Bal-in-Line, 1s turn 1st corners RH to finish between corners. 1s dance 1/2 reel of 3 on opp sides (LSh to 2nd corner) & end with LH joined with ‘new’ 1st corner person & RH with partner
- 17-24
- 1s+1st corners Bal-in-Line, 1s turn 1st corners LH & dance 1/2 reel of 3 across (RSh to 4th corners) 1s end 2nd place own sides
- 25-32
- 1s+person on left set & dance 1/2 RH across, 1s+person on right set & dance 1/2 LH across to end 2 1 3
| Name | Date | Owner | Last changed |
|---|---|---|---|
| DanceScottish NYC 2022-06-02 | 2022-06-02 | Jack Cole | May 31, 2022, 4:31 a.m. |
| DanceScottish NYC 2022-05-26 | 2022-05-26 | Jack Cole | May 24, 2022, 2:52 a.m. |
