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Dance The Bonniest Lass in all the World 682

Strathspey · 40 bars · 3 couples · Longwise - 4   (Progression: 213) · Usual number of repetitions: 8

Devised by
Thompson (18C) (1751)
Intensity
840 800 880 888 800 = 56% (1 turn), 42% (whole dance)
Formations
Steps
  • Strathspey setting, Strathspey travel
Published in
Recommended Music
Extra Info
The Bonniest Lass In All The World
'StateBlock' object has no attribute 'is_code_block'
The original words to, as well as the identity of, “The Bonniest Lass in All The World” are unknown
but in the appendix to *Lays from Strathearn* there appears the following song.

The bonniest lass in a' the warld,  
  I've aften heard them telling;  
She's up the hill, she's down the glen,  
  She's in yon lonely dwelling.  
But nane could bring her to my mind,  
  Wha lives but in the fancy;  
Is't Kate, or Susy, Jean, or May,  
  Is't Effie, Bess or Nancy?

Now lasses a' keep a guid heart,  
  Nor e'er envy a comrade;  
For be your een black, blue or grey,  
  Ye're bonniest aye to some lad.  
The tender heart, the cheering smile,  
  The truth that ne'er will falter,  
Are charms that never can beguile,  
  And time can never alter.

In 1724 a song was published in Allan Ramsay's *The Tea Table Miscellany*
and dedicated to Miss Anne Hamilton of the family of Hamilton of Bangour.
The new words, put to the old tune, were by William Robert Crawford of Auchinames (c. 1695–1733).
Both William Hamilton of Bangour and Robert Crawford, both landed gentry,
assisted Ramsay with *The Tea Table Miscellany*.

In 1725, the song was included in William Thomson's *Orpheus Caledonius* as
“The Bonniest Lass in a' the World”.

Look where my dear *Hamillia* smiles,  
  *Hamillia*! heavenly Charmer;  
See how with all their Arts and Wiles,  
  The Loves and Graces arm her.  
A blush dwells glowing on her Cheeks,  
  Fair Seats of youthful Pleasures;  
There Love in smiling language speaks,  
  There spreads his rosy Treasure.

O fairest Maid, I own thy Power,  
  I gaze, I sigh, I languish,  
Yet ever, ever will adore,  
  And triumph in my Anguish.  
But ease, O Charmer, ease my Care,  
  And let my Torments move thee;  
As thou art fairest of the Fair,  
  So I the dearest love thee.

Reprinted in *The Scots Musical Museum* of James Johnson in 1788,
the song was called “Hamilla”.

Crawford was also the author of “Tweedside” and “The Bush Aboon Traquair”.

Table rows with a green background denote recordings starting with one of the recommended tunes and the usual number of repetitions for the dance (8). A yellow background means a recording with one of the recommended tunes but a non-standard number of repetitions. Recordings with a red background use a different tune and possibly a non-standard number of repetitions.

Recordings whose titles are in italics are not explicitly linked to this dance but have been identified by the database based on the type, bar count, and recommended tune(s) of the dance.

NameArtistAlbumMediaTrkTypeTimePaceClip
The Bonniest Lass In All The World Colin Dewar and his Scottish Dance Band Scottish Dance Favourites Volume 1 CD 3 S40 810:24 62.4
The Bonniest Lass In All The World Colin Dewar and his Scottish Dance Band Book 14. LP+ 6 S40 810:24 62.4
The Bonniest Lass in All the World James Coutts and his Scottish Dance Band Book 14. Music for Twelve Scottish Country Dances CD 10 S40 810:25 62.5
The Bonniest Lass in all the World 3/4L · S40
'StateBlock' object has no attribute 'is_code_block'
1–
: 1c set, turn BH ; 1c facing 2c set and turn BH
9–
: 1c dance down, cast round 3c to 2pl (2c up) ; 1c set twice.
17–
: 2c+1c R&L (2,1,3)
25–
: 2C+1W & 1M+3c circle3 L ; 2c+1M & 1W+3c circle3 R, 1c finishing in the middle facing W side, 1M on R
33–
: 1c dance out, split and cast round the W ; meets, dance out between the M, split and cast to (2,1,3)
The Bonniest Lass in all the World 3/4L · S40
'StateBlock' object has no attribute 'is_code_block'
1-8
: 1s set & turn RH, 1s+2s facing on sides set & turn RH
9-16
: 1s lead down below 3s, cast up to 2nd place on own sides & set twice
17-24
: 2s+1s dance R&L
25-32
: 1L dances 3H round to left with 2s as 1M dances 3H round with 3s, 1s
  pass by right & dance 3H round to right with other couple
33-40
: 1s lead out between 2L+3L, cast round nearest corner, into centre, lead
  out between 2M+3M & cast round corner to 2nd place own sides

Sorry, this browser doesn't seem to do SVG graphics :^(

NameTypeDateOwnerLast changed
Mountain View Experienced - 2019 Sep 25 Unknown 2019-09-25 Rachel Pusey Sept. 22, 2019, 11:48 p.m.
FSCDC 14 March 2017 Class 2017-03-14 Anselm Lingnau March 22, 2017, 9:01 a.m.
RSCDS Book 14 Unknown Ward Fleri Dec. 9, 2021, 2:52 a.m.

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IdSubjectDateSubmitterAssigned toPriorityDisposition
259 Bonniest Lass: Miscellaneous corrections June 23, 2013, 12:09 a.m. Charles Liu Keith Rose Normal Fixed