Dance The Sutters of Selkirk 6407
Reel · 32 bars · 2 couples · Longwise - 4 (Progression: 21)
- Devised by
- Unknown (1748)
- Intensity
- 80 08 44 62 = 50% (1 turn), 34% (whole dance)
- Formations
-
- Figure of Eight (FIG8;1C;)
- Lead/Dance down and up, then cast (DWNUP;CAST)
- Note: This list may be incomplete and/or incorrect.
- Steps
-
- Skip-Change
- Published in
-
- Book 18 [11]
- Scottish Country Dances Books 13 to 18 (Combined A5 edition) [73]
- Pocket: Books 16,17,18 [35]
- Caledonian Country Dances [1748]
- Scottish Country Dances in Diagrams. Ed. 8 [691] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 7 [633] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 6 [603] (diagram only)
- Recommended Music
- Extra Info
The Sutters of Selkirk
Up wi’ the souters o’ Selkirk,
And down wi’ the Earl of Hume;
But up wi’ ilka braw callant
That sews the single-soled shoon.
Fy upon yellow and yellow,
And fy upon yellow and green,
But up wi’ the true blue and scarlet,
And up wi’ the single-soled shoon.
Up wi’ the lads o’ the Forest,
That ne’er to the Southron wad yield;
But deil scoup o’ Hume and his menyie,
That stood sae abeigh on the field.
Fy on the green and the yellow,
The craw-hearted loons o’ the Merse;
But here’s to the souters o’ Selkirk,
The elshin, the lingle, and birse.
Then up wi’ the souters o’ Selkirk,
For they are baith trusty and leal;
And up wi’ the lads o’ the Forest,
And down wi’ the Merse to the deil!
Robert Chambers, editor of The Songs of Scotland Prior to Burns, commented: “At some time, probably in the earlier half of the eighteenth century, the souters or shoemakers of Selkirk – a town noted for the craft – had a competition at football with certain men of the Merse, retainers of the Earl of Hume. The souters won, and their victory was celebrated in a boisterous song and air, the latter of which is sure of permanent preservation.”
There is a theory in regard to this old song that it referred to the battle of Flodden in 1513. About this Chambers said: “The allusions made to the brave conduct of the souters of Selkirk, and the disaffection popularly but unjustly ascribed to the Lord Hume, at the battle of Flodden, have led to a supposition that this song relates purely to that conflict. The above account, however, which is that given by the Rev. Mr. Robertson in his Statistical Account of Selkirk, seems to be the only one entitled to any respect. In the song, it must be admitted, there is little poetry or common sense; but the air is one of great merit.” As Mr Robertson commented in his account there was no Earl of Home at the time of Flodden, the title not having been created until 1605. (See “The Earl of Home”)
The Border town of Selkirk on the edge of the Ettrick Forest was the site of an abbey built in 1113 by David, son of Malcolm III. Four years after David became king the abbey was moved to Kelso. Records show that William the Lion held a parliament at Selkirk in 1204 and there was probably a royal castle there. During Scotland’s interminable war for independence, Selkirk was in the centre of much of the fighting and after the battle of Flodden, near Coldstream but across the border, Selkirk was burned by the victorious English.
The elshin, the lingle and the birse, words which occur in the song, are shoemaking terms. The elshin is the awl, the lingle is shoemaker’s thread and the birse is the bristle at the end of the lingle.
Name | Artist | Album | Media | Trk | Type | Time | Pace | Clip | |
---|---|---|---|---|---|---|---|---|---|
The Sutters of Selkirk | Bobby MacLeod and his Band | Scotland Dances | LP | 1 | R32 3 | 0:00 | 0.0 | ||
The Sutters of Selkirk | Colin Dewar and his Scottish Dance Band | Book 18. Music for Twelve Scottish Country Dances | CD+ | 11 | R32 8 | 4:48 | 36.0 | ||
The Sutters of Selkirk | Bobby Brown and The Scottish Accent | The Maid of the Mill | LP+ | 5 | R32 8 | 4:35 | 34.4 | ||
The Sutters of Selkirk | Bobby Brown and The Scottish Accent | The Bobby Brown Collection | CD | 14 | R32 8 | 4:35 | 34.4 | ||
The Sutters of Selkirk | Unknown | Kelpie Magic | ? | 10 | R32 5 | 0:00 | 0.0 | ||
Sutters of Selkirk | Bobby MacLeod and his Band | Vintage 78's Vol 2 | CD | 11 | R32 3 | 1:50 | 36.7 |
The Sutters of Selkirk 2/4L · R32
- 1–
- 1c (1M on the L) in promhold cast into Fig8 around 2c (Lsh to 2M), to places
- 9–
- 2c (2W on the L) in promhold cast up into Fig8 around 1c (Rsh to 1M), to places
- 17–
- 1M+2M dance between and around own partner to places ; 1c dance between 2c and cast up to places
- 25–
- 1W+2W dance between and around 1M & 2M ; 1c lead down {1}, up {1} and cast off to 2pl (2c up)
Note: Keep the set narrower and longer than usual, and play the music a bit more slowly
The Sutters of Selkirk 2/4L · R32
- 1-8
- 1s lead round 2M LSh & dance a full Fig of 8 round 2s & end in original places
- 9-16
- 2s (Lady on Mans left) lead round 1M RSh & dance a full Fig of 8 round 1s & end in original places
- 17-24
- 1M+2M lead between partners, cast round partner back to places, 1s lead down 1 place & cast back to places
- 25-32
- 1L+2L lead between partners, cast round partner back to places, 1s lead down 1 step, back to top & cast to 2nd places
Name | Date | Owner | Last changed |
---|---|---|---|
Nottingham ADW 15 Sep 2017 | 2017-09-15 | John Aitken | Nov. 17, 2017, 4:54 p.m. |
FSCDC 24. Januar 2012 | 2012-01-24 | Anselm Lingnau | Dec. 18, 2012, 8:34 a.m. |