Dance Lady Mary Cochrane's Reel 3620
Reel · 32 bars · 3 couples · Longwise - 4 (Progression: 213)
- Devised by
- Unknown
- Intensity
- 840 800 822 880 = 50% (1 turn), 37% (whole dance)
- Formations
-
- Hands across - 3 (HX;3P;)
- Set to Corners (C-SET)
- Rights and Lefts - half (R&L;HALF;)
- Steps
-
- Pas-de-Basque, Skip-Change
- Published in
-
- Book 26 [4]
- Scottish Country Dances Books 25 to 30 (Combined A5 edition) [16]
- Pocket: Books 25,26,27 [16]
- Scottish Country Dances in Diagrams. Ed. 8 [379] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 7 [347] (diagram only)
- Scottish Country Dances in Diagrams. Ed. 6 [331] (diagram only)
- Recommended Music
- Extra Info
- Note: In the original Book 26, 2nd couple stepped up on bars 15–16. This has been changed to align with …
Note: In the original Book 26, 2nd couple stepped up on bars 15–16. This has been changed to align with the same 8 bar phrase in other dances.
(source: the combined RSCDS Books 25–30)
| Name | Artist | Album | Media | Trk | Type | Time | Pace | Clip | |
|---|---|---|---|---|---|---|---|---|---|
| Lady Mary Cochrane's Reel | Alan Gardiner and his Scottish Dance Band | Book 26. Twelve Scottish Country Dances | CD+ | 4 | R32 8 | 4:47 | 35.9 |
Lady Mary Cochrane's Reel 3/4L · R32
- 1–
- 1c+2W RHA ; 1c+2M LHA (to 1,2,3)
- 9–
- 1c cross RH, cast round 2c, cross LH, cast round 3c and lead to face 1cnrs (2c up),
- 17–
- 1c set to 1cnr | to 2cnr ; cross RH to own side and cast up (2c down) (1,2,3)
- 25–
- 1c+2c ½ R&L ; set | cross RH (2,1,3)
Lady Mary Cochrane's Reel 3/4L · R32
- 1-8
- 1s+2L dance RH across, 1s+2M dance LH across
- 9-16
- 1s cross RH, cast to 1 place, cross LH, cast below 3s & lead up to face 1st corners
- 17-24
- 1s set to 1st corners, set to 2nd corners, cross RH & cast up to top on own sides
- 25-32
- 1s+2s dance 1/2 R&L, set & cross RH
Watch on YouTube
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Added on: 2020-02-12 (Martina Mueller-Franz)
Quality: Demonstration quality
| Name | Date | Owner | Last changed |
|---|---|---|---|
| Vana Tallinn - Ball | 2019-12-07 | Anton Korobeynikov | Dec. 2, 2019, 11:05 p.m. |
