We're using cookies to make this site more secure, featureful and efficient.

Dance Kelso Races 3424

Reel · 32 bars · 3 couples · Longwise - 4   (Progression: 213) · Usual number of repetitions: 8

Devised by
Unknown
Intensity
440 440 800 888 = 50% (1 turn), 38% (whole dance)
Formations
Steps
  • Skip-Change
Published in
Online Sources
Recommended Music
Extra Info
Kelso Races
'StateBlock' object has no attribute 'is_code_block'
The race meetings held in Kelso in March, May and October were great social events,
especially with the Duke of Roxburgh's splendid Floors Castle
(See “The Duke of Roxburgh's Reel”)
and the Earl of Haddington's Mellerstain House in such close proximity.
Allan Ramsay (1686–1758) wrote a song “We'll A' To Kelso Races Go”
for the *Tea Table Miscellany* of 1726.
Far more amusing and interesting from a social point of view
is the song set to the tune of “Logan Water” by the 6th Earl of Kellie called “Kelso Races”.

You have heard of our sweet little races at Kelso;  
Of the riders and horses, and how they all fell so,  
Of Dirleton and Kelly Sir J ohn – an, what's still more,  
The famed clerk of the Green Cloth, Sir Alexander Gilmore.

Of Dukes there were two, of Duchesses one,  
As sweet a dear woman as e'er blest a man;  
Of mien most engaging, how finely she dances,  
With her sister -in-law, full of mirth, Lady Frances.

His Grace of Buccleugh would have been most extatic,  
But, alas, he was seized with a fit of sciatic.  
As he could not attend to make us all mellow,  
He left t'other Duke, a clever little fellow.

Of Nabobs a pair, their names shall have strait,  
Tall Archibald Swinton, and far Thomas Rait,  
As fine jolly fellows, I'm sure to the full,  
As ever set their faces to the Great Mogul.

The bald-pated Knight soon had them in view,  
And set at these Nabobs like any old Jew;  
Quoth he to himself, I think I with ease,  
Could plunder these Indians of all their rupees.

Gentlemen, says he, will you bet on a horse,  
I'll lay what you please, without any remorse;  
If that does not suit, I'll do what you list,  
Perhaps you would choose a rubber of whist.

Down sat the great dupes, and with them a Peer –  
Lord! how the bald Knight did joke and did jeer;  
The Nabobs and Peer he left not a groat,  
And even condescended to steal a great-coat.

Young Nisbet comes next, whom they call Maccaroni,  
The sweet youth whom he and we think so bonny,  
That whene'er he appears, the ladies cry bless us,  
I vow and protest he's a perfect Narcissus.

My dearest sweet girls, pray tell me what mean ye,  
Cries his spruce little cousin, Mr John Cantoucini;  
Pray look at me, a'n't I a fine little man,  
A trig dapper fellow, deny it who can?

O' my drunken friend Jock, I'll tell you a story, O,  
He had of his own a complete oratorio;  
Three hours after midnight his concert begun,  
Where he drank and he danced and he had all his fun.

His company consisted of Mr Stewart Shaw,  
My Lord Percy's piper who travels to blaw;  
And Irish dear joy, two captains of foot,  
And Lord North the waiter who danced so stout.

Melvina appeared next like a bright star,  
She stole the heart of a young man of war.  
Of all her solicitors he lives for but one,  
And solicitor Dundas is the happy man.

The great little Percy came down from the border,  
To keep us poor Scotch a l ittle in order;  
He nothing remarkable did, but we hope,  
Next year when he's steward, he'll take his full scope.

There were many more besides, well I wot,  
Sir Gilbert and Lady, Miss Bell Elliot,  
There was sweet Anne Scott, and Lady Diana,  
And bold Mrs Ker, like any hyena.

I cannot pass by where I ever so brief,  
That loveliest of girls, Miss Jeany Moncrieff;  
To Kelso she came with her uncle beau Skeene,  
Whose person is always so neat and so clean.

There was fat Sandy Maxwell as big as a tun,  
A fine laughing fellow in whom there's much fun;  
Sir William Lorrain, Jack Askew, and Selby,  
As fine jolly bucks as e'er a pint bottle fell by.

There was John Scott of Gala, and Wat Scott of Harden,  
Who they say is possessed of many a farthing;  
And numbers more over – but I'm in a hurry,  
I had almost forgot sweet Peter Murray.

We laught and we danced, and we sat up all night,  
A thing, I confess, in which I delight.  
And I very dear my pleasure did earn,  
For I was obliged to return to Blanearn.

The Hon. Andrew Erskine, youngest son of Alexander, 5th Earl of Kellie,
attributed the above rollicking verses – a veritable 18th century gossip column –
to his brother, Thomas Alexander, 6th Earl of Kellie (1732–1781).
Lord Kellie was certainly one of the most fascinating characters of the mid-18th century.
After several years at Edinburgh High School,
the then Viscount Penton returned to the family castle near Pittenweem in Fife.
The fifth earl, an active Jacobite in the Rising of 1745,
had been imprisoned in Edinburgh Castle from which he was not released until 1749.
The young viscount was showing signs of musical talent at an early age
and, a violinist, he became a member of the Edinburgh Musical Society in 1750.
In 1753 he left on the Grand Tour and spent his time abroad
studying music with the greatest Continental musicians of the time.
The fifth earl died while his heir was abroad
and  he returned in 1756 as the sixth Earl of Kellie.
From then until his death at the age of forty-nine,
Lord Kellie, one of the finest composers of the time,
was a leader of the social and cultural life of Edinburgh.
He was on teh committee of the St. Cecilia's Musical Society
and in 1767 became Deputy Governor of the Edinburgh Musical Society.
He was the compose of symphonies, concertos, minuets and overtures,
the best known being the overture to Samuel Arnold's “The Maid of the Mill”,
first performed at London's Covent Garden in 1765.

Kelso, in the Border county of Roxburgh
and situated at the place where the Teviot River joins the Tweed,
was called by Sir Walter Scott,
“The most beautiful, if not the most romantic village in Scotland”.
Kelso is a market town surrounded by parkland
with an unmistakable aura of provincial France floating over it.
The vast cobbled Market Square with its ancient coaching inns contributes greatly to this atmosphere.
The five-arch bridge over the River Tweed was designed by John Rennie (1761–1821)
and served as a model for his Waterloo Bridge in London.

Kelso Abbey, perhaps the greatest of the Border abbeys, is magnificent even in its ruins.
Built in 1128 by David I (1084–1153) at about the same time that Holy Rood Abbey was built,
it was like Holy Rood,
also destroyed by the English under Edward Seymour,  1st Earl of Hertford.
(See “Holyrood House”)

Table rows with a green background denote recordings starting with one of the recommended tunes and the usual number of repetitions for the dance (8). A yellow background means a recording with one of the recommended tunes but a non-standard number of repetitions. Recordings with a red background use a different tune and possibly a non-standard number of repetitions.

Recordings whose titles are in italics are not explicitly linked to this dance but have been identified by the database based on the type, bar count, and recommended tune(s) of the dance.

NameArtistAlbumMediaTrkTypeTimePaceClip
Kelso Races Ian Holmes and his Band Let's Go Scottish Country Dancing Vol 6 CD 1 R32 84:22 32.8
Kelso Races Ian Holmes and his Band Sounds Scottish CD+ 7 R32 84:22 32.8
Kelso Races Willie McRobert's SCDB Live in Moffat CD 4 R32 63:36 36.0
Kelso Races 3/4L · R32
'StateBlock' object has no attribute 'is_code_block'
1–
: 1M+2W A&R ; dance BtoB
9–
: 1W+2M repeat
17–
: 1c long cast (2c up), dance through 3c and cast up into 2pl
25–
: 2c+1c+3c in a wide circle A&R ; all C turn P RH to places
Kelso Races 3/4L · R32
'StateBlock' object has no attribute 'is_code_block'
1-8
: 1M+2L Adv+Ret 2 steps & dance DoSiDo
9-16
: 1L+2M Adv+Ret 2 steps & dance DoSiDo
17-24
: 1s cast behind 2s, lead down between 3s & cast back to 2nd places
25-32
: 2s+1s+3s (in circle formation) Adv+Ret & turn partners RH

Sorry, this browser doesn't seem to do SVG graphics :^(

Watch on YouTube

(YouTube must be enabled in cookie preferences to embed videos.)

Twice through.

Added on: 2020-07-26 (Murrough Landon)
Quality: Good

NameTypeDateOwnerLast changed
RSCDS Beginners Framework 1B Unknown Rachel Pusey Aug. 11, 2019, 10:43 p.m.
Level 1 Formations and beginners dances Class 2023-09-01 Iris Ronayne Oct. 3, 2023, 5:53 p.m.
MVclass-dec012021 Unknown 2021-11-24 Alan Twhigg Nov. 28, 2021, 1:19 a.m.
20170206 - Bal unique Paris Unknown 2017-02-06 Aliénor Latour Feb. 1, 2017, 2:50 p.m.
Level 1 Formations Informational 2023-11-15 Ted Randolph Nov. 15, 2023, 9:54 p.m.
140728 + 140811 w2+4 Monday Unknown 2014-07-28 Martina Mueller-Franz March 28, 2014, 2:17 p.m.
Oldenburg 2013-11-11 Unknown 2013-11-11 Sir Toby Nov. 12, 2013, 8:40 a.m.
Munich Welcome Dance 25 May 2012 Unknown 2012-05-25 Anselm Lingnau May 14, 2012, 8:51 p.m.
20230502 - Bo'ness Class - Deb Class 2023-05-02 Zsofia Jozsef May 2, 2023, 11:32 p.m.
Saint-Petersburg Robbie Burns Day Social Unknown 2016-01-30 Ekaterina Iarmarkina Jan. 18, 2016, 6:53 a.m.
Summer School St Andrews 2019 Week 4 Thursday Common Room Unknown Shoko Okumura July 21, 2019, 5:02 p.m.
190725 w2 Thursday - Common Room Unknown 2019-07-25 Martina Mueller-Franz Jan. 21, 2019, 1:28 p.m.
190808 w4 Thursday - Common Room Unknown 2019-08-08 Martina Mueller-Franz Jan. 21, 2019, 1:42 p.m.
St A SS 2019 w4 Thursday common room Unknown 2019-08-08 Diana Hastie Jan. 11, 2019, 11:28 p.m.
Oldenburg 2017-04-03 Unknown 2017-04-03 Sir Toby April 4, 2017, 9:38 a.m.
23 04 15 East Preston u3a Unknown 2023-04-15 Chris & Lee Pratt Jan. 23, 2023, 5:47 p.m.
New York Branch Basic Class and after the break dances 2018-05-10 Unknown 2018-05-10 Xiaowen Yu May 7, 2018, 2:57 a.m.
Virginia Scottish Games Dance Party Unknown 2017-09-02 elanyi Aug. 9, 2017, 4:56 p.m.
Dancing in the Park (Toronto) Week 4 Unknown 2023-06-27 Erica de Gannes April 2, 2023, 5:09 p.m.
FSCDC 29 May 2012 Class 2012-05-29 Anselm Lingnau May 29, 2012, 4:47 p.m.
THISTLE CLUB DANCE (Leeds) - 1 March 2014 Unknown 2001-03-01 Christine Parker-Jones Sept. 5, 2015, 7:16 a.m.
SCD-Tanznachmittag-Chemnitz_2.4.2016 Unknown 2016-04-02 Thomas Groß March 30, 2016, 10:34 p.m.
RSCDS New Jersey Basic class Sept 2015 to Jan 2016 Unknown Sue Ronald Dec. 3, 2015, 12:35 a.m.
Vienna RSCDS Unknown 2022-02-18 Tim Bolton-Maggs Feb. 16, 2022, 6:15 p.m.
Saturday Evening Dance Programme Unknown Corinne Hilpert Feb. 5, 2016, 6:18 p.m.
Saturday evening Dance Unknown Corinne Hilpert Feb. 5, 2016, 6:09 p.m.
RSCDS New York Branch - March 8 2018 Basic Class and after the break dances Unknown 2018-03-08 Xiaowen Yu March 5, 2018, 2:44 a.m.
RSCDS New York Branch - March 8 2018 Experienced class and after the break dances Unknown Sue Ronald March 5, 2018, 6:58 p.m.
October 17, 2023 Class 2023-10-17 Sarah Ferguson Oct. 10, 2023, 9:34 p.m.
2022 Sept-Dec / BDS / Summary weekly class 1st half Informational 2022-09-22 Jette Rossen May 11, 2023, 8:47 a.m.
2023 Sept-Dec / BDS / Summary weekly class 1st half Informational Jette Rossen Oct. 4, 2023, 8:06 p.m.
Montpellier - February 2016 Unknown 2016-02-13 Corinne Hilpert Nov. 27, 2015, 11:42 a.m.
Draft2018febtoapril Unknown Sue Ronald Feb. 14, 2018, 11:14 p.m.
Summer school 2014 weeks 1 and 2 Unknown Truus de Ceuster April 6, 2014, 8:37 p.m.

SCDDB User Ratings

2.5 stars average (2 votes)
. 0 votes
. 0 votes
. 1 vote (50%)
. 1 vote (50%)
. 0 votes
. 0 votes

This dance ranks 919th out of 1388 rated dances in the database. (More info.)

Rate this Dance

Sign in to rate this dance!

User Reviews

Sign in to review this dance!